Make a unit short paper

/in /by

This unit is about chapter 4 and 5. For this short paper address both of the following:

1. Choose one of the films from this unit(Eternal Sunshine of the Spotless Mind (2004), or Into the Wild (2007)) and provide a brief analytical look at the narrative similar to the one done in the text for John Ford’s Stagecoach. The analysis needs to be similar, but not as detailed as that in your text. This portion of this paper should be approximately 500-750 words maximum.
Here are the links for the two movies: http://vkool.net/watch/ky-uc-tinh-yeu-3583-xem-phi… and https://phim3s.pw/phim-le/ben-trong-su-hoang-dai_1…

2. Using the film you did not select for #1 above, do an analysis of the Mise-en-Scene of the film. You can use the description of analyzing the Mise-en-Scene found on p. 209 of the text (from this book: Looking at Movies: An Introduction to Film, Fifth Edition, Richard Barsam and Dave Monahan http://screwybook.com/Looking-at-Movies-Fi-0393265…). The Screening Checklist below the description asks a number of questions that you can use to help guide you though this analysis. This portion of the short paper should be approximately 500-750 words maximum.

Rubric:
Narrative Analysis Completeness: The paper addresses a significant number of the concepts covered in the sample in the text.
Narrative Analysis Accuracy: The paper accurately applies course concepts pertaining to narrative in a way that demonstrates mastery of those concepts.
Mise-en-Scene Analysis Completeness: The paper fully paints a picture of what the audience would see, hear, and experience while viewing the film.
Mise-en-Scene Analysis Accuracy: The paper accurately applies course concepts pertaining to mise-en-scene in a way that demonstrates mastery of those concepts.
Mechanics and Referencing: The paper is proofread without error and is complete in referencing where necessary

Here are the short videos about Narrative and Mise-en-Scene that have good informations to help you complete the work:
– Chapter 4: Narrative
Looking At Movies: Narrator, Narration, Narrative.
Looking At Movies: Diegetic and Nondiegetic Elements.
Looking At Movies: Suspense and Surprise.

– Chapter 5: Mise-en-scene
Looking At Movies: Lighting and Familiar Image in The Night of the Hunter.
Looking At Movies: Setting and Expressionism.
Looking At Movies: Mise-en-scène – Composing The Frame.
Looking At Movies: The Lumiere Brothers’s “Actualities”.